This anthropomorphic Dogon figure originates from Mali. The wooden pillars carried symbolic representations that were references to Dogon mythology, especially ancestors.

Made of 100% Wood, mineral pigments

Model is W 14 - H 61 and weight 2.4 kg.

This unique clay small sculptures of a couple was sculpted by creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.

Made of 100% Terracotta

Model is W 38 – H 7 and weight 0.8 kg.

This  Ancestral Male Figure originates from the Dogon. A man sitting on a stool, with a very erect and dignified posture, holds in his hands some kind of tool. He wears a pectoral necklace. He seems to a village leader.

Made of 100% wood, pigments.

Model is W 73 - H 18 and weight 7.3 kg.

This type of circular pendant representing a sun refers to an ancient and complex passage of the Dogon cosmogony, at a time when light was given to men through 10 suns. It is is relatively rare in western collections. The sun symbol identification that is sometimes made seems to be foreign rather than a Dogon interpretation. 

Made of 100% Brass / Bronze

Model is W 7 – H 2 and weight 0.12 kg.

This iron fetish bird figure of early to mid 20th Century, is made by the Dogon tribe from Mali using the old lost-wax method and is in excellent condition. The fetish figure of a bird is believed to symbolize the 'hogon' or spiritual leader. 

Made of 100% Bronze

Model is W 45 – H 30 and weight 3.5 kg.

This authentic, well preserved Bronze of the Benin Kingdom is usually seen as a court official whose job it was to herald the arrival of the Oba's royal entourage with the blow of his horn during public processions. The hornblower wears luxurious clothing and is therefore more likely dressed for a specific festival or celebration than for a war.

Made of 100% Bronze

Age Mid 15th Century

Model is W 60 – H 13 and weight 7.5 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 41 – H 25 and weight 5 kg.

This hand carved headrest reminiscent of a turtle originates from the Dogon people in Mali. The heavy honey-colored wood has a beautiful grain, the larger handle or extremity is richly patinated from having been carried around by its owner. The flat and slightly curved portion of the headrest also has a warm patina from usage. Dogon headrests are rare, replicating the larger stools in style and form, retaining all of the elegance and the aesthetics of larger pieces. Headrests like stools are considered to be objects of prestige, denoting social status and hierarchy in African societies.

Made of 100% wood.

Model is W 12 - H 29 and weight 0.4 kg.

This Lega (also known as Warega) mask originates from the Bwami tribe in Congo. A well-carved example of Lega wooden face mask. This face is enhanced by the eyebrows exceptionally carved in relief. The long and fine nose, as well as the open eyes and mouth, are carved according to the Lega style.

Made of 100% light hand-carved cane wood, fiber, and pigments.

Model is W 31 - H 20 and weight 0.8 kg.

This Dogon Nommo figure has been rendered in a simplified way, reducing it to its essential. It is elongated with emphasis on geometric forms. This is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. The subjective impression is one of immobility with a mysterious sense of a solemn gravity and serene majesty, although conveying at the same time a latent movement. Their art deals with the myths whose complex ensemble regulates the life of the individual. The sculptures are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market. Thick patina made of blood and millet beer.

Made of 100% wood.

Model is W 37 - H 10 and weight 0.5 kg.

This example of Dogon art is over 35 years old. Dogon art is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. Their art deals with the myths whose complex ensemble regulates the life of the individual. Their masks are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market.

Made of 100% wood

Model is W 28 - H 18 and weight 3 kg.

This rare articulated Anthropomorphic Iginga doll made of wood originates from the Lega/Bwami peoples of the Democratic Republic of the Congo. Figures such as this were used as a didactic device during the ritual of the Bwami Society to educate young initiates. Their metaphoric form help instructors to pass the message as do the proverbs, legends, myths and slogans.

Made of 100% wood, vegetable fibers.

Model is W 60 - H 24 and weight 5.5 kg.

This beautiful comb originates from the Songye peoples - the Democratic Republic of the Congo. Antique combs were used for styling the hair and were sometimes worn as decorative items when inserted and worn in both men’s and women’s hair. Elaborate and distinctive coiffures reveal social status, and hair combs were considered a luxury and many become treasured items that are passed down through the generations.

Made of 100% Wood.

Model is W 28 - H 9 and weight 0.2 kg

Beautifully carved antique pair of fertility figurines originating from the Luba tribe from D.R. Congo. Most Luba art relates to kings and important chiefs, who defined their power by the display of prestige objects during important ceremonies.

Made of 100% wood.

Model is W 30– H 12 and weight 3.6 kg.

This ceramic depiction of an ancestral elder was made by the Nok people of Nigeria, at the very start of the first millennium AD. This piece is a classic of the Nok culture. Little is known of the original function of the pieces, but theories include ancestor portrayal, grave markers, and charms to prevent crop failure, infertility, and illness. Also, based on the dome-shaped bases found on several figures, they could have been used as finials for the roofs of ancient structures.

Made of 100% terracotta.

Model is W 48 – H 15 and weight 1.2 kg.

This zoomorphic Senufo reliquary figure, with its elongated cylindrical trunk is characteristic of the style of the Fang Ntumu subgroup of northern Gabon near the Cameroon border. The appearance of Fang reliquary figures varies greatly from region to region. In general, the artists who created these figures apparently were interested in depicting the ancestors through individualized features, such as hairstyle and adornment.

Made of 100% wood.

Model is W 42 - H 6 and weight 0.4 kg.

This mask carving originates from the Fang tribe. They were meant to protect. They are often of great aesthetic quality, which suggests that they are the culmination of a long sculptural tradition. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.

Made of 100% wood.

Model is W 38 - H 14 and weight  0.6kg.

This unique clay maternity figure was sculpted by the creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.

Made of 100% Terracotta

Model is W 38 – H 7 and weight 0.8 kg.

This unique figure is the prime example art Mambila, easily identifiable with their heart-shaped faces. The Tadep statues in the Mambila were used for therapeutic purposes. 

Made of 100%  wood, pigments

Model is W 34 - H 18 and weight 0.5 kg.

This figure represents a female kneeling figure holding a bowl, known as Olumeye. Her facial features are very expressive and are carved with naturalistic detailing such as large scarification on cheeks and forehead. The finial hairstyle called known as irun agogo, adds to the figure's beauty. The patina is shiny and smooth. This figure, a recent bride or a priestess, depicts an homage to maternity or motherhood and was used as a shrine to deities Shango or Eshu in the Yoruba religion. The piece has a shine and rich patina. The Olumeye are carved most often in the shape of a rooster and placed in front of a female figure who is shown kneeling in a position of submission and offering. The bowl was used to serve cola nuts to elite guests.

Made of 100% wood.

Model is W 66 – H 14 and weight 3.8 kg.

This seated Dogon couple sculpture gives eloquent expression to the shared and symmetrical responsibilities of men and women in Dogon society. The virtually identical forms of the male and female protagonists in this visual commentary accentuate the parity of their subtly distinctive roles. She is responsible for child care, he for providing sustenance. He has one hand protectively draped across her shoulders. This emphasizes their mutual roles in procreation and nurturing. Male and female are connected to one another by his gesture, but additionally are articulated as discrete units. This approach reflects Dogon attitudes toward marriage as a partnership of independent equals. This balanced duality is also a central tenet of Dogon mythology.

Made of 100% wood.

Model is W 65 - H 20 and weight 4 kg.

This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 48 - H 21 and weight 1.6 kg.

The male fetish figure originates from the Songye, in the southern part of the Democratic Republic of the Congo. They were believed to ward off evil, to preserve the tribe or the family from hostile powers, sorcerers or evil spirits, and to aid fertility. Large ones were owned by and served the community; small ones were for individual families. Adorned with additional objects, Bajimba, with magical properties (horns, skins, teeth, hair, feathers, beads, tacks, cloth, etc.), they gained their power not from the carver but from the Nganga, or spiritual leader. Their carving was considered secondary to their power. Often too powerful to touch, they were moved with long sticks. Although protective, these are confrontational objects, with a warrior's attitude.

Made of 100% wood.

Model is W 55 - H 15 and weight 1.2 kg.

This rare small vessel with figural lids originate from Dogon, and dates . Atop the lid is two seated figures that represents an (idealistic) portrait of the deceased. The vessels were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 13 – H 8 and weight 0.14 kg.

This rare and beautiful 19th–early-20th century Yombe Phemba (Maternity) Figure, originates from the Kongo peoples, Yombe group - Democratic Republic of the Congo, and is called Nkisi (means holy). The figures were used to ward off danger to mothers during delivery and to protect the health of the child.

Made of 100% Wood, kaolin.

Model is W 16 - H 75 and weight 5.2 kg.

Carved Wood Figurative Latch Dogon box originating from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. It Stands on Three legs with a Latch.

Made of 100% wood.

Model is W 63 – H 15 and weight 2.7 kg.